ART

naquashv — Wed, 17 Feb 2010 14:29:04 +0000

‘situation tulip in turmoil !’

ONE OF THE BRILLIANT WORK I have SEEN IN THIS YEAR

naquashv — Fri, 05 Jun 2009 17:17:50 +0000

ALEX MATHEW 'Twelve characters'

ALEX MATHEW ’Twelve characters’

Medium :Acrylic on wooden relief

size :1.5×1.5m year:2008

red chair

naquashv — Thu, 04 Jun 2009 17:32:01 +0000

naquash

*preparing a notes on alex mathew’s recent work – 12 charcters

and

* Rimzon- a chacterstic study on his works………..

‘IMAGINE’ BY ALEX MATHEW

naquashv — Sat, 02 May 2009 05:55:47 +0000

Alex Mathew done one relief sculpture in wood it named as ‘ imagine’ It is based on the song imagine by Beatles, the lyrics goes with a very sublime way!

The work is awesomely carved with a different from his any other works very direct and without any notion of expression [ but the map itself has a an expression .]

About the work

[Interview with Alex Mathew]

As he had communicated with me ,this relief was representation of resemblance of two images. The whole map seems to be scattered form of cloud .and he is adding the other factors that he denoting with the emotion of the song imagine , the lyrics that he describes was subconsciously occupied, the person and liberal mind should involved with these lines, we cant just see it as a ‘oasis nature’ of an artistic mind thought. The way he received and depicted the ‘imagine’ is very notable and inspiring too. We know that he is an artist who is very connected with the technique of language of using allegory. Intentionally he is expanding his vision in to the john Lennon’s vision to the world. Characteristically, the work is a low relief with an black an white oil color, on the relief he done the light sun breaks through the skies and its make a scattered feel of light as in the time of dawn.

“Imagine” is a song written and performed by John Lennon, which first appeared on his 1971 album, Imagine. It was released as a single in the same year, and reached number three in the U.S. Billboard charts, and number six in the United Kingdom. One of his best-known and most influential works, it is often considered Lennon’s magnum opus.

In the book Lennon in America, written by Geoffrey Giuliano, Lennon commented that the song was “an anti-religious, anti-nationalistic, anti-conventional, anti-capitalistic song, but because it’s sugar-coated, it’s accepted.”

Imagine there’s no Heaven
It’s easy if you try
No hell below us
Above us only sky
Imagine all the people
Living for today

Imagine there’s no countries
It isn’t hard to do
Nothing to kill or die for
And no religion too
Imagine all the people
Living life in peace

You may say that I’m a dreamer
But I’m not the only one
I hope someday you’ll join us
And the world will be as one

Imagine no possessions
I wonder if you can
No need for greed or hunger
A brotherhood of man
Imagine all the people
Sharing all the world

You may say that I’m a dreamer
But I’m not the only one
I hope someday you’ll join us
And the world will live as one

conceptual art -a note [to be edited]

naquashv — Sat, 11 Oct 2008 17:50:05 +0000

Touching conceptual pulse ,and realising the value of ideas in art

Conceptual art were always trying to emboss the discource on art and its functional terrain . the whole dilemma was about the way of representation and the emerging thought about ‘readymades’ [covering marchel duchamp’s devotions and intellectual exploration and dissection of the history through his art works.

As means of the early writing of in whole books and documents ,the concept has elevated as twin sister [!] of the area idea and image . here for the word idea, I will find some orientation with Hegelian bricks . and it may be drag till into the metaphors

As possible they done [the veterans of conceptual art ]in to the world , conceptual doors were acting like a wings of a hopes in the art world . and they succeeded in a wide blending of various area of art .

In the beginning the , rhizomes like awesome Duchamp, Pollock and remaining buds in leaflets were didn’t expected that what will happen in the coming days

Duchamp , were Concorde in point with art and functional area, then for world the abstraction and conceptual were very mystic and minor as a musical notes

The rejection and agony got mixed up in to a total lagging manner with these contemporary public , the spectator !

Still conceptual remained as a form in a womb, wasn’t sure about their nutrition to go with .

So , what could happen ? as history said ,questioning and revolutionising entire structure and manhood [!]. art got elaborated with the existing conceptual to Conceptual Art.

Kosuth , Joseph , sol lewitt the perfect conceptual labours , were coming to the scene with there authentic text and very intence nature of their works with both minimal and detaled images

Spectators were just a tool there , they expected a lot in a field , they expected rain

But Conceptual art was bit forward , it got flowered from the sky itself , they didn’t insisted or shouted or screamed this is the only art , they took in way that the only area to explode the word idea ,

The spectators were in a hallucination with images , parallel to it the brother philosophy had great terrific changes in the whole way of looking ,taking ,putting ,representing

Of if it [change ] happens in philosophy happens in philosophy it spines [spinal cord !] with world ,then in the real fruit …it s u ,,,, the spectator .

Art was a happening in this era , art was the only hope with these mass changing world

The images and ideas

The ideas through images and locating and translocating in to minds .the space in to new space that was the real success of conceptual art and images

Conceptual art being transformed in to a concorded point of a cyclone of the experimental at world.

Almost every great people got attracted with this new phenomena of art

Environmental artist ,Dadaist ,surrealist ,figurative ,minimal ,abstract and so on were in the list

Sol le Witt were introducing the paragraph on conceptual art for a stem to grow

And also he were starting to indulge with the sentence on ‘conceptual art’.

NAQUASH.V

characteristic studies on some eminent indian sculptors and their works

naquashv — Thu, 18 Sep 2008 14:38:18 +0000

NN.RIMZON

THE ROCK TEMPLE

naquashv — Tue, 05 Aug 2008 21:11:06 +0000

art

naquashv — Tue, 05 Aug 2008 19:48:11 +0000

PHENOMENOLOGY

Posted in Uncategorized on March 20, 2008 by naquashv

This article is about the philosophical movement. For other uses, see Phenomenology (disambiguation).

Phenomenology has at least three main meanings in philosophical history: one in the writings of G.W.F. Hegel, another in the writings of Edmund Husserl in 1920, and a third, deriving from Husserl’s work, in the writings of his former research assistant Martin Heidegger in 1927.

For G.W.F. Hegel, phenomenology is an approach to philosophy that begins with an exploration of phenomena (what presents itself to us in conscious experience) as a means to finally grasp the absolute, logical, ontological and metaphysical Spirit that is behind phenomena. This has been called a “dialectical phenomenology“.

For Edmund Husserl, phenomenology is “the reflective study of the essence of consciousness as experienced from the first-person point of view.”^[1] Phenomenology takes the intuitive experience of phenomena (what presents itself to us in phenomenological reflexion) as its starting point and tries to extract from it the essential features of experiences and the essence of what we experience. When generalized to the essential features of any possible experience, this has been called “transcendental phenomenology“. Husserl’s view was based on aspects of the work of Franz Brentano and was developed further by philosophers such as Maurice Merleau-Ponty, Max Scheler, Edith Stein, Dietrich von Hildebrand and Emmanuel Levinas.

Martin Heidegger believed that Husserl’s approach overlooked basic structural features of both the subject and object of experience (what he called their “being”), and expanded phenomenological enquiry to encompass our understanding and experience of Being itself, thus making phenomenology the method (in the first phase of his career at least) of the study of being: ontology.

The difference in approach between Husserl and Heidegger influenced the development of existential phenomenology and existentialism in France, as is seen in the work of Jean-Paul Sartre and Simone de Beauvoir. Munich phenomenologists (Johannes Daubert, Adolf Reinach, Alexander Pfänder in Germany and Alfred Schütz in Austria), and Paul Ricoeur have all been influenced. Readings of Husserl and Heidegger have also been crucial elements of the philosophies of Jacques Derrida and Bernard Stiegler.

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interpretation

Posted in Uncategorized on March 20, 2008 by naquashv

Language interpreting or interpretation is the intellectual activity of facilitating oral and sign-language communication, either simultaneously or consecutively, between two, or among three or more, speakers who neither speak nor sign the same source language. Functionally, interpreting and interpretation are the descriptive words for the activity; in professional practice interpreting denotes spoken language, while interpretation denotes translation studies work. This important distinction is observed to avoid confusion between the interpreter and the client.

Functionally, an interpreter orally converts a source language to a target language; likewise in sign language. The interpreter’s function is conveying every semantic element (tone and register) and every intention and feeling of the message that the source-language speaker is directing to the target-language listeners.

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LINKS

Posted in Uncategorized on March 20, 2008 by naquashv

LINKS

UK PUBLIC MUSEUMS AND GALLERIES

thebritishmuseum.ac.uk
The British Museum, London
courtauld.ac.uk
Courtauld Institute of Art
artandarchitecture.org
Courtauld Institute of Art collections online
designmuseum.org
The Design Museum
dulwichpicturegallery.org.uk
Dulwich Picture Gallery
hayward.org.uk
The Hayward Gallery, London
gilbert-collection.org.uk
The Gilbert Collection,Somerset House
museum-london.org.uk
The Museum of London
nationalgallery.org.uk
The National Gallery, London
natgalscot.ac.uk
National Galleries of Scotland, including The National Gallery of Scotland, Scottish National Portrait Gallery, Scottish National Gallery of Modern Art and others
npg.org.uk
The National Portrait Gallery, London
photonet.org.uk
The Photographers’s Gallery, London
royalacademy.org.uk
Royal Academy of Arts, London
The Science Museum
The Science Museum, London
serpentinegallery.org
The Serpentine Gallery, London
tate.org.uk
Tate, London and all Tate sites
vam.ac.uk
The Victoria and Albert Museum, London
liverpoolmuseums.or.uk/walker
The Walker Art Gallery, Liverpool
whitechapel.org
The Whitechapel Gallery, London
24hourmuseum.org.uk
UK Museum listings sponsored by The Department for Culture

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ART

ONE OF THE BRILLIANT WORK I have SEEN IN THIS YEAR

red chair

‘IMAGINE’ BY ALEX MATHEW

conceptual art -a note [to be edited]

characteristic studies on some eminent indian sculptors and their works

Art through my eyes

interpretation

sculpture-naqua sh

portraits and drawings

naqu- photos and digital works

LINKS

art